The In-Between

A First Friday Walk – March 2021. Wardie Bay, 5 minutes from home

“We lack – we need – a term for those places where one experiences a ‘transition’ from a known landscape … into ‘another world’: somewhere we feel and think significantly differently.” that exists “even in familiar landscapes: ….. Such moments are rites of passage that reconfigure local geographics, leaving known places outlandish or quickened,”

Robert MacFarlane

Can I help you find a term for those places? Shall we go somewhere where that happens and feel what it’s like, enquire into the difference between not-beach and beach, and see if we can come up with one?

My usual way onto Wardie Bay is up the wee slope and though the stoneledges. I leave the busy road that’s been there for nearly 200 years, and has known me for 12, and at the top I get a salty blast to the nose which dismisses the fumes. I spy a man, a long way off on the sand. He has a big rucksack and he stoops, probably looking at his phone. He’s almost a silhouette against the-place-where-the-tide-is-out. I see and inhale where I am going.

I begin the transition carefully. I turn my shoes sideways, peering down to avoid slipping. Not looking at the beach or the man, I only see my feet, one by one. I fit the long sides of my trainers into the angles where the earthed slope meets the uneven stone strips.

For a second I still. Half way. I feel the presence of the sea on my shoulders, the sky touching my hat and the wind on my ungloved hands which are stretched out at the sides of me for better balance. Something is already happening.

I run the last bit at the bottom which means that my heartbeat matches the pleasure I feel at being there. I am assailed by the wave-sound, the sea-odour and, finally, with the soles of my feet as I step from the large-rasping-pebbles onto the little-grainy-sand – I sink slightly, tilt, halt.

Now it all embraces me in one big hug, the noise, scent and feel of the beach’s surface that I like. I look out to sea and my lungs take a great deep, heaving breath.

Quite soon I lie facedown to photograph the smell of crab in the seaweed. I screw up the skin at the nape of my neck where the cold gets in, to try and stop it doing that. The bladder wrack under my elbows as I balance the camera, is dry and brittle. I am in another world and I try to capture all the wonder but I know from experience that can be tricky.

Yes, the sand. When I stand again it reminds me of velvet. Through my trainers and two pairs of socks it’s delicious. I swivel and furrow and it’s like when you sink your hands into the strands of a ball of merino wool and squeeze the softness.

I am on an expedition to find something out, so I rewind – I stare at the horizon and in my mind I start again from home. When we go somewhere we bring our anticipation of that place with us, the idea of what it will be like. I brought the way the beach was before – all the befores – layers of previous times when I had visited – with me today. And in my body when I got to the top of the steps, were the traces of everything else I had lived through up until that moment. And not only that. The beach, itself, had an imprint on it, of all the people (including me), and activities and weathers that had happened there, all accumulated in that second when I entered. I suspect that this previousness influences the way that we feel and think when an ordinary place becomes ‘quickened’.

I lie down on the sloping, freezing rock, blue-sky with white-cloud above. I shut my eyes and smell the fish. Under my closed lids I can see the shells and stones I had been looking at before.

Tobacco….drifts….merges….with perfume. 

What IS that place called, not where-I-was, and not where-I-am-now ? We know about journey, about being in transition, skimming or flying across lands and high skies to get somewhere. What do we call that place we just missed, the one we whipped through unawares? My tummy flurries when I’m approaching, the ground underneath me is altered when I arrive, but in the blink of an eye I am here, not there.

Fingers fold over cold thumbs and how smooth my skin is. I nearly sleep but the chill interferes. I rest still, not wanting to get up but knowing I’m going to.

The name of the place where I make the ‘transition’ might depend on which direction I take to get here and how I arrived.

If I chose the flat way from the street, the stonewalls very tall at the sides of me and feeling very small going between them, I would be coming upslope. At the corner I would be on a level with everyone and their dogs, able to see diagonally across to the rocks. There, hovering, no-one would notice me. Then I would run off the cobble, do a hop, skip and turn cartwheel on the sand, and land in the middle of the ring with a flourish.

Propping myself up on my elbows to look, I think. It would not be the same if I approached from the air, if I was a gull flying down, folding my wings back and stretching my thin legs out, landing on both my webbed feet at the same time. Landing lightly, making hardly a mark, the wind at my back, I would run along and get on with my search until someone disturbed me. I can’t know if some places are more special for birds, but I do see when there are suddenly hundreds not three – something is exceptional or there wouldn’t be so many at one time, they wouldn’t be so excited.

If I were a wave from the north, I would turn over calmly, spreading, rolling, on to the strand. I would canoodle and stroke and she would offer up her treasures to me willingly. Or I might come faster, rising and rising then crashing. I would buffet and pummel and she would be covered with my offerings, and our meeting would be rousing.

Yes, I am sure that the direction we take and the way we enter, influences the magic when we get there. I launch up at last and stride towards the breakwater.

There are lots of stories about transitions into other worlds that might give us ideas for this place name we are seeking. They involve complex feelings which may help us focus: There is Mary’s secret garden, found through a door under some hanging plants; Lucy’s Narnia – she went through two rows of coats with her arms stretched out in front of her, so as not to bump her face into the back of the wardrobe; and Alice’s Wonderland which was of course accessed via a large rabbit-hole under the hedge.

Mary, “… took another long breath, because she could not help it, and she held back the swinging curtain of ivy and pushed back the door which opened slowly—slowly. Then she slipped through it, and shut it behind her, and stood with her back against it, looking about her and breathing quite fast with excitement, and wonder, and delight.” (The Secret Garden by Frances Hodgson Burnett.)

Lucy, “… felt a little frightened, but she felt very inquisitive and excited as well.” When she felt snow under her feet and on her face, that was when she realised she was somewhere else. (The Lion, The Witch and The Wardrobe by C.S.Lewis.)

Alice has a long, slow-motion fall down “what seemed to be a very deep well”, meaning that we readers get to see, think and feel her transition. She was “not a bit hurt”. Indeed, it seemed to heighten her ‘outlandish’ response – things got much more curious as a result. Later, she got tearful when she couldn’t get through the too-small door to the garden. Her feelings on the threshold, and during the shift from one place to another, were different depending on whether it was a matter of choice or if she was catapulted there. (Alice’s Adventures in Wonderland by Lewis Carroll).

It seems that we might hold or expel our breath, run or move slowly across the divide, feel very inquisitive, excited or upset as we go. Time may pass quickly, so that we gloss over the feelings we have there, or slow right down, giving us a hyper-real sense of it, even space to ruminate.

The birds wheel and cry, a dog races past me and splashes after the ball. I have reached the other side and have to turn back.

When we are at the portal we are half one thing, half the other; leaving and approaching at the same time. We are momentarily inserted, midway. We are about to ……… .

So, it’s decision time. What will we call it? I am back home now, balancing on the edge of the bed-base in the attic room so I can reach the sill and look over it at the beach below. I can see the place where not-there bleeds into there, and I have vertigo with the strain of it all.

‘Crossing’ or ‘passing over’ has too much redolence of death, though there is always a sort of loss associated with leaving, and, like a pilgrimage, it is really the journey that is important, not what you call it. No, I have a suggestion. The name of the place I went through, where something changed so that my familiar beach became something other, is the in-between. What do you think?

Festival of Terminalia

23rd February 2021

Today I walk an imaginary line around my house. My feet don’t leave indentations to show I have done it, not since the recent snow, and when that melted, the trace was gone. Home and back, I pace and pound my boundary line, a pathway that returns to itself, reconnects, reattaches, brings me back to the garden gate.

Snow prints. Photo by Sam MacLean

Terminalia is a one day festival of walking, space, place and psychogeography on 23rd Feburary. Terminalia is the festival of Terminus, Roman god of boundaries and landmarks so if there was ever a god and festival for psychogeography this would be it!

https://terminaliafestival.org/

They say that people walking somewhere can change a place, that the land alters because of us. Of course, it’s clear if we wear down the mountainside or trample wildflowers underfoot, if we make a desire path, flattening the grass just enough that the next person who comes by can see it and tread it afterwards. But I’m talking about the idea that the nature of a place adjusts as many people cross it for a specific reason (such as pilgrimage, religious or secular), that an ordinary location becomes imbued with a special significance after it has been walked upon by people with a shared aim or sensibility. If that’s true, do my streets, the streets which bear my weight daily, still feel me when I’m gone? Do I rub off on them somehow? Can I say I belong there?

Or is it the air above a path that is disturbed by my body moving through it, affected by my presence, retaining a whiff of me? Then, what happens when the wind blows and displaces it – have I been whisked away, or am I still there? How exactly does it work, this treading of Terminus, deity of the marking of our territory?

The wind disturbs the top layer

A crow breaks the quiet with a piercing caw on the turret, the wind finds crevices in my clothing, the odour of fish and chips invades my sense of propriety. Someone has etched into the tree’s bark and graffitied the bridge’s stone. A trickle finds a way through, waves breach the breakwater and ride roughshod over rocks. We must leave a gap or the wind will blow a solid fence over, a river bring down a protective wall. In so many ways, boundaries seem to be there to be broken – at least that’s when we notice them.

Arborglyphs
Arbor graffiti

A few of us meander along the ribboned edge of the bay, the constant interruption of land by sea. We talk to no-one, we stand and watch the water. I feel sad and the waves sound melancholy too. Only the other day it was like satin, now the surface darkens and shifts as the wind messes it into mackerel patterns. Sand clouds rush past me in such a hurry, disintegrating as they haste towards Fife. Uncharacteristic ripples sweep out to Inchcolm island where the disappearing rainbow arcs (between real and unreal). While I was there I had that golden luck and the rain never reached me, I who have hot sun on my calves. One by one, we stoop and pick what catches our eye. I chase dry seaweed as it billows across the beach.

Inchcolm Island

Psychogeography describes the effect of a geographical location on the emotions and behaviour of individuals

https://www.tate.org.uk/art/art-terms/p/psychogeography

I am concentrating on my own boundaries of time (too little for my own projects) – noticing how they get eroded, how I let them, allowing myself less. And on the amount of space I have (too much room in my house now the children and lodgers have gone) – somehow ending up with more than I need. As I pace the liminal wetness, the seam, I mourn the freedom I didn’t have (I was raised to think about others before myself and it has stayed with me) and the shells I am inadvertently crunching underfoot. The sea doesn’t stick to its limit. I see it constantly pushing them. I stand close by until it unexpectedly breaks the rule and surges at me. I have to stumble back out of the way or get wet.

There are fewer birds than usual on the strand, though later I see them swarming, their blanched bellies catching the sun as they swoop en masse. Over the blue they go, alighting on the pontoon quickly, one after the other, then taking off just as swiftly, an avian Mexican wave.

I muse on how everyday habits break down fear by reassuring us what will happen; then equally how they cause it, how we become nervous about being spontaneous and managing sudden change. I have been at home so long now, moving steadily around my immediate area – 5 miles in each direction – that I wonder how I’ll manage to go further afield. Will we all spread out across national borders again, back and forth over timelines and zones, or will we be more circumspect, stay closer to home, on our own territory? I have no plans.

Related blogs: Walking Between Worlds series

Terminalia – Festival of Psychogeography site

Incidentally, Terminalia is also a tree genus (upwards of 200 species) including the Terminalia catappa. Found in Madagascar, tropical and subtropical Asia and the Pacific (http://powo.science.kew.org/taxon/171034-1), the leaves are to be found at the very end – terminus – of the branches. Types of the tree (bark) are used in Ayurvedic medicine to treat heart conditions and diarrhoea.

Indian almond courtesy of https://www.britannica.com/plant/Terminalia-plant

There is no going back – New Year ahead!

Time has turned and days have passed. We can barely remember January now. It is no longer March, it is December. The old year will end tonight, and 2021 will be there on the other side. 

This year has not been the same for everyone, but for many, it is too long since we have seen our loved ones. Relatives and friends have died. Business has boomed or collapsed. We may not have worked for months, or perhaps our time has been full to bursting with home-schooling, zooming and on-line meetings. Maybe we have been alone when we wanted to be with someone else, or in closer proximity with them than is healthy. We have walked through empty streets, donned masks, and cleaned our hands more than ever before. With our backs against the wall, secluded behind closed doors, we have been locked in, and these things cannot be undone. There is no going back.

However, I hear that you might want to return to normal, get back to the way things were, and live your life the way it used to be before Covid. I am tempted to will that for you too, to make you happy. But I know that there is no old ‘normal’ to be found, no ‘way back’ now, no ‘what-was’, again.

I also know that because of what we have seen and touched, and because we have heard unfamiliar sounds and thought new thoughts, read, drunk, bled, coughed, sloughed off old cells and re-grown new ones, spotted a white hair, cut our nails and thrown away the clippings, that we have learned from this. 

We know more, we are wiser. By dint of living, and of living through what has happened, we have a new perspective. That’s the way it is. We are a bit older (wrinklier? longer in the tooth?), we are sager, we have insight.

We have new opportunities.

It is true that we have heard ourselves say to each other before: ‘Here we go again’ and ‘But, but, we’ve been round this corner already’, however the ‘we’ who are going and being are not the same we. We have changed.

Some things will be familiar, it is true, they will smell and taste almost the same, but they will not be identical. The next breath doesn’t match the previous one, no following step moves in exactly the same direction, no already-given-kiss will be bestowed again.

And, if we think about it, we might say, ‘Thank goodness for that!’ For, surely we would rather not repeat mistakes that we have made, not say, again, words which were spoken in hate or fury, or cry as much, or go through the same pain. We wouldn’t really want to go back, would we, imagining it was all best then, and that’s what we need again?

So, what now?

This is our chance. We can salvage what was great from then, note what was best from that normal, and remember the before, decide what we liked about it

We can ask each other:

What do you value, love and cherish? Where do you want to spend your time, and who do you want to spend it with? What places are good to be in, what work satisfying to carry out, and what food most delicious to eat? 

Let us ask ourselves:

  • Will we take our fear and face it?
  • Can we shelve our anger and forgive?
  • Is our love worth following?
  • Is life so precious that we promise to do something valuable with it?
  • Is the land we live on important enough, and is the air we breathe vital enough that we are prepared to change our habits to try to preserve them?

TOGETHER 

If this makes sense to you, shall we do these things together, so that we aren’t alone? Together, in person, if we can be and if we prefer it (not everyone does); otherwise, with others, in another way? 

I want to say: Know that you aren’t alone, that there is at least one other person, animal or butterfly, which cares for the same things you do.

And even if you cannot, or do not want to do anything with another person, remember: your thoughts are energy, and your private actions disturb the air around you, they bring about some sort of change. I want you to know that this change can, and will, be felt. 

So,

  • Let’s acknowledge what has happened! 
  • Let’s move forward, not hope to go back! 
  • Let’s make our lives, and the life around us, better! 

SHALL WE?

Clipp’d Wings

During the first Covid-19 period of Spring – Summer 2020, I walked and collected feathers. This collection has grown into a mixed media project called Clipp’d Wings, which I am still in the process of completing. Would you like to be part of it?

Feathers collected in June 2020 for Clipp’d Wings

The severe travel limitations imposed by the governments around the world affected many of us from March onwards, and I had received a number of foreign invitations to lead and co-create Shiatsu projects on death and life. Although I had booked a flight to go to Athens, I planned to return home overland: walking and meeting with people in seven countries including Macedonia, Serbia and Hungary. Later, my events in France and Portugal would have involved journeying across Spain. None of these have yet taken place, maybe they never will.

Magpie feathers

As someone who has been travelling in Europe extensively during the past four years, this period was really very different. Moreover, I usually live in Scotland, by the sea, where flocks of gulls and oyster catchers wheel and glide over the harbour, crying and peeping as they settle and paddle on the shore. By contrast, the part of Kent where I was living is landlocked, and I was only able to visit the beach once in 5 months.

Taken from a great distance – birds sitting on rooves at Granton Harbour
Harper engraving of homing pigeons (Wikipedia)

Many of the feathers I picked up were from pigeons. The Persians, Romans and Greeks all used pigeons to convey messages. These post pigeons were taken in cages (not planes) to where the sender lived, had a message attached to their legs, and were then released to fly home – something they did naturally.

Rookery, Kent

I was surrounded by birds in Kent. White doves flew above the garden in great circles, repeatedly returning to their attic homes nearby. When I walked in the early evenings, the air was full of the cacophony of rooks, congregating and preparing for night time. Pheasants ran in and out of copses as I explored the public footpaths, and swans sailed along the River Medway, elegantly oblivious to my admiration.

Swan on the River Medway

In Clipp’d Wings, I have been asking people – on Twitter (obviously!) – to complete this message:

If I had wings, I would…

Perhaps you might like to shut your eyes and dream of a place you could go if you had wings, be transported somewhere for a moment. If you write it down, the internet will carry this message to me and I will write it down on a tiny piece of paper for you. I will fold, roll and make it into a tiny scroll which will encircle the shaft of a feather, an agent, a symbol of flight.

Through the ages and in divers cultures, feathers have symbolised spirituality, prayers, wisdom and truth. They were, and are, worn as part of ceremonial headdresses. Feathers have been used to flee reality, as transport to other realms, and to weigh against the human heart to see if it was ‘as light as a feather’ and therefore full only of goodness. Yours will join 49 others, gathered together in response to the frustration of lockdown in a flight of collective fancy.

Dovecote, Kent, England

While walking around the lanes of Kent, I came across a number of dovecotes. These avian homes have always inspired me, from the circular Corstorphine dovecote in Edinburgh which gave its name to the tapestry workshop and gallery in Infirmary Street, to the beehive structured Dunure doocot in South Ayrshire. Pigeon and dove families would each have their own wee cubby or pigeon-hole to nest in. Mine is made of cardboard, a sort of display case for displaying the feathers.

Dovecote in the making, now housing a few feathers with messages attached to their shafts

If you would like to complete the sentence above, write me a message in the comments box below, of what you would do if you had wings in these Covid times of restricted movement, and as some face a second intense lockdown. I will transfer it to one of the waiting feathers and let you know the result.

Stage 2 of Clipp’d Wings where the feathers were dated and mounted

The photos and concept of Clipp’d Wings is copyright Tamsin Grainger and should not be reproduced in whole or in part without permission. Thank you for your respect in this matter.

When walking the first 4 days of The Pilgrim’s Way in from Winchester towards Canterbury in July 2020, I found more feathers than I could possibly collect, so I retained a sample. This wing was one of many I came across – synchronicity in action!

A Different Lens

I am really pleased to have been involved with A Different Lens, a mapping project in Margate, Kent, England conceived by Thread and Word, the project of Elspeth Penfold.

Elspeth is a textile artist who develops collaborative walks. In 2015, she set up the group Thread and Word which takes its inspiration from a poem written by Cecilia Vicuña in Edinburgh where Elspeth also led walks once upon a time. Vicuña’s poem uses weaving as a metaphor for people engaging with each other in order to build healthy communities. In Quechua (say kecha) the word for “language” also means “thread”, and the word for “complex conversation” also means “embroidery”. In Quechua, no word exists for a singular entity. 

Each artist has chosen a book, short story or a poem written by an author who is blind or visually impaired and introduces their writing to us through a creative engagement.

Elspeth Penfold

A Different Lens is a walking project which has been mapped so that if you are not in that location, you can explore online here. (https://cgeomap.eu/adifferentlens/)

My little part is a pink pin on the map which when you click on it looks like this: #Distance Drift WALKING WITH VIRGINIA AND MILTON

A Different Lens, Thread and Word / Elspeth Penfold

You will need to click on the link above and then expand the actual map, just like you make a google map bigger. It’s one of the inland ones, quite central, in a wooded piece of green, one of 2 pins (blue and pink) and I am part of the pink one.

‘All our woe’ is a quote from John Milton’s ‘Paradise Lost‘. I have been living through, thinking and writing about grief and loss, and so wanted to include this theme in my contribution to A Different Lens 2020. Milton is referring to the Christian, biblical story of Eden and the advent of sin, how the tasting of the forbidden fruit in paradise brought death into the world and the sadness which comes with it.

Autumn and the pomegranate is bursting

I subscribe to a different view, that death is a natural part of life. This season of Autumn is the celebration of summer’s bounty, of ageing and the falling of leaves – the inevitable, annual decline. Winter is coming, the quiet time when we are advised to snuggle in like hibernating animals do, to reflect on the year that has passed and on our mutability. We won’t live for ever, and when we die, Spring will still come with its new life and fresh beginnings. We might even be reborn! With a bit of work, we can start to appreciate our small place in this cycle.

Autumn leaves

St Triduana’s Aisle is a small, hexagonal chapel and ancient holy spring in Restalrig, Edinburgh. It is dedicated to a woman who is said to have given up her sight in order to better see God. A Pictish saint, people have also made pilgrimage to a church and loch named after her (St Tredwell) on Papa Westray in Orkney.

I hope you enjoy exploring the map like I did – there are links which have links which have links – threads and weavings of poetry, music, spoken word, video and more. Please do leave a comment below if you would like to.

October 2020

Amsterdam

September 2020

Narrow houses due to land taxes – the wider the dwelling, the richer the owner

I went to Amsterdam on the Eurostar (train) from St Pancreas, London (cost: 40 euros in advance) to present a workshop on grief and launch my new book Working with Death and Loss in Shiatsu Practice at the European Shiatsu Congress. As soon as I took off my mask I was assailed by the smell of marijuana – it’s everywhere in the citycentre.

Shinto presentation as part of the European Shiatsu Congress

While I was there I took a few walks, as is my custom.

The first was in the pouring rain from Central Station to Admiraal de Ruijterweg where I was being kindly hosted by a colleague. I was soaked to the skin by the time I arrived. Somehow the rain had seeped around the wheels and into the suitcase, as well as into my rucksack, wetting the handouts I had prepared for the students. I love walking when I first arrive, though, stretching after sitting for so long, and adjusting to a new place, its people and energy.

View of the EYE film museum (low white modern building) from the back of Central Station
There are road works on the other side of the station

Getting through from one side (where the buses stop) to the other can be a challenge. Don’t panic! There are ways through on the bottom level, and if you have a bus ticket, you can tap it on both sides of the ticket barriers too.

The back of the St Francis of Assisi church on Admiraal de Ruijterweg, and one of Dick Bruna’s children’s book characters

Dick Bruna is best known for his Miffy books and although the first one was published in 1955, the famous cardboard, square ones started to come out in 1963, the year of my birth. I was very fond of them as a child. The writer and illustrator was a Dutchman who went to art school in Paris and Amsterdam and the books are instantly recognisable by their bold primary colours (he is said to have been influenced by Matisse).

In the Netherlands, Miffy is known as “nijntje”, which derives from the Dutch word “konijntje”, meaning “little bunny”.

Miffy website
The front of the St Francis church on Admiraal de Ruijterweg

Autumn was in the air – the chestnut leaves were curling under at the edges and turning dry and orange. Pale purple crocus stood on thin stalks, and it was much wetter than I expected it to be. I suggest you pack waterproof leggings as well as a jacket, and beware the wind if you have an umbrella!

Puddle reflections the morning after

I have to admit that I got lost as usual – googlemaps isn’t too sure about foot routes in cities, and I struggled to find tram stops which would take me in the right direction when I was carrying too much to walk. There are a lot of bridges and canals, beautiful ones which look rather similar but are probably all different once you know them well.

My session on grief, Autumn Leaves Fall, was held at the Vondelkerk, a circular former church in the Vondelpark.

Vondelpark
Bench detail, Vondelpark
Inside the Vondelkerk, used as a church between 1880 and 1977. It is in the Gothic revival style by P.J.H Cuypers who also designed Central Station and the Rijksmuseum

I had a book stall and attended workshops in do-in dance and neck and shoulder meridians at the Beurs van Berlage, the old stock exchange. Did you know that the Amsterdam Stock Exchange is considered to be the oldest in the world, established in 1602 by the Dutch East India Company? It was a way of sharing the risk involved in trading overseas for textiles, pepper and yarn (India) and cinnamon, cardamom and gems (Sri Lanka).

Interior of the Beurs van Berlage
Tile detail, Beurs van Berlage
Exterior of the Beurs van Berlage
Queen Wilhemina of the Netherlands (1880 – 1962) is to be found at the head of the Rokin canal. She reigned for 58 years
Oxford eat your heart out! There are thousands more bicycles in Amsterdam than in that English university town – they are simply everywhere
All ages ride, in fleets and swarms, in fact my friend said she didn’t recommend that tourists cycle as it can be dangerous – almost no-one has lights or wears helmets

Leidseplein (a plein is a square) is very close to the Vondelpark and de Balie is a large pub / restaurant there which serves really excellent food (30 euros for one glass of wine, a main course, shared pudding and fresh mint tea). Max Euweplein (named after a Dutch chess player) is very close by.

Photo taken in Max Euweplein. This looked like tears to me, a reminder of the theme of my presentation

The best walk was on the final evening when I discovered the calmer area of Haarlemmerdijk – chic shopping outlets, tattoo parlours, a cinema, eco cafes…

Netherlands cheeses are famous
Captivating graffiti
Pigeons all fluffed up against the wind, perching on a canon which was facing down one of the many canals
Tattoo parlour, Haarlemmerdijk
Check out ‘the darling’ for a very cute polar bear window display

At Haarlemmerbuurt there are water jets which rise and fall

I celebrated the end of the working weekend with a glass of cold white wine by the canals and then wandered through Westerpark, an enormous area of natural beauty with sculptures, eateries, clubs, a Sunday market, festival spaces and cycle paths.

Jacob van Lennep 2016

I saw lots of blue herons and several types of geese including a mum with a brood of goslings. (The photos were taken from a distance as I didn’t want to alarm her, so they are rather blurred).

A bee garden, Westerpark
A lily lake, Westerpark
I recommend Pizza Pizza. I didn’t eat there but they let me use the toilets and the pizzas which were being served looked delicious
Plus, I liked this message which was on the back of the toilet door

Constructed in 1845, Westerpark was created as an antidote to the then industrially polluted western district. Situated around the Western Canal, it stretches north-south from the centre of Amsterdam to Haarlem.

“Man on stool” – Ronald Tolman & “Ornament” – Liesbeth Pallesen, 1986

In 2003, the vision of Kathryn Gustafson, the American landscape architect who was hired to remodel the area, was finally completed: ….with a modern pond where children can play on hot summer days while their parents rest on the concrete beach or nearby sprawling lawn. Trees were planted and alleys drawn along the historical buildings, which artistic, avant-garde momentum of the 90s was respected: the Westergas has become a powerhouse of culture and entertainment, with an easy-going and independent flair. 

Amsterdam.com
Sculpture, Herman Makkink, 2004

Sloterdijk was once a separate village but has now been subsumed into Amsterdam city. My final walk was to Sloterdijk station to get the train to Schipol airport (platform 11, 4.8 euros) where I flew back direct to Edinburgh to start my fortnight’s quarantine.

Petruskerk (kerk = church)

Near the station were disused trains which formed another museum (possibly the street art museum)

There is a great deal to see in this vibrant, busy city. I first went there as a secondary school child on an art trip, excitedly visiting the Rijksmuseum and doing a life drawing class at the Van Gogh Museum. In my twenties, I returned with friends, and later I tried cycling with the kids (not very successful) and discovered I had bought an out of date guide book so most of the vegetarian restaurants didn’t exist anymore. That was all a long time ago.

Land of tulips

You can swim outdoors at Sloterplas; take a leisurely, night time cruise; or see where Anne Frank hid from the Nazis. The Dutch Resistance Museum is excellent.

A reminder of the past – note the traditional clogs (Dutch footwear) in the Sloterdijk district

Some tips: Etos is the chemist most like Boots, Albert Heijn are supermarkets, you can buy a 1-day, 2-day or 3-day ticket for the trams and buses but the tickets don’t have details on them so mark with a pen when you buy it so you know which is the one you are using and don’t confuse it with an old one.

Amsterdam Tourist Info

Sloterdijk area info

Edinburgh – New College and Calton Hill

Winter photos to wet your appetite for making a windy climb down from the Royal Mile and up Calton Hill for the fabulous views of Salisbury Crags, Arthur’s Seat and more.

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I took the Hidden Heroines Tour on International Women’s Day (8.3.2019) of places in the city centre where you can find out about famous Edinburgh women.

Carla Nebulosa was our tour guide and she and her team had researched and prepared the itinerary. Originally from Madrid, she delivered it in a personable, even exuberant manner. She has started to write a book of the same name and is looking for donations from the tours to cover her up-front costs.

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Carla (with the hat on, pointing) on the steps of Lady Stair’s Close and the back of the Writers MuseumEdinburgh

St Margaret (1070 – 1093) was an English princess: devout Catholic; charitable; mother of eight; wife to and good influence on King Malcolm; and, most importantly, she established a ferry across to Fife so folk could walk pilgrimage to St Andrews. She is further remembered because the oldest surviving building in Edinburgh, part of the Castle, is in her name.

The roots of the summer pilgrimage dates back to June 1250 when the relics of Saint Margaret were translated to a new shrine in Dunfermline Abbey following her canonisation that year by Pope Innocent IV.

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The Witches’ Well can be found at the entrance to the Castle Esplanade. It is a memorial to the women who died unnecessarily as a result of the 1563 Scottish Witchcraft Act

The Witches’ Well, a cast iron fountain and plaque, honors the Scottish women who were burned at the stake between the 15th and 18th centuries. It’s an easy site to miss for people only focusing on the castle that looms ahead. During the 16th century, more women were murdered at this site than anywhere else in Scotland. Each victim was denied a proper trial.

The Witches’ Well
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The Witches’ Well, Atlas Obscura, Edinburgh

We visited sites associated with Catherine Sinclair (novelist 1800 – 1864), Susan Ferrier (novelist 1782 – 1854), and Elsie Inglis (doctor and suffragist 1864 – 1917). Inglis was one of the first women to be educated at the Edinburgh School of Medicine for Women, though later she transferred to Glasgow to complete. I always remember her name as I went to visit my friend Tracy in the Elsie Inglis Memorial Maternity Hospital (1925 – 1988), the day she gave birth to her first daughter, Gemma.

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St Cuthbert’s from Princes Street Gardens where Susan Edmonstone Ferrier is buried, Edinburgh
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Looking towards Abbeyhill, site of the former Elsie Inglis Memorial Maternity Hospital, Edinburgh

Mary Somerville, featured on the £10 note, was a Scottish scientist (1780 – 1872) and she gave her name to one of the houses at my secondary school in Tonbridge, Kent, so I was pleased to hear her mentioned.

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Bank of Scotland, The Mound on the left with the green dome, Edinburgh

Lady Mary Shepherd was born to the Primrose family (1777 – 1847) just outside Edinburgh. A Scottish philosopher, she wrote two philosophical books (1824 criticising the views of David Hume, and 1827 on the perceptions of an external universe) which were influential in Edinburgh philosophical circles at the time. (thanks Wikipedia)


She finds them (the main tenets of the Scottish school) unable to sustain scientific inquiry, everyday practical reasoning, and belief in an almighty deity.

From the Stanford Encyclopedia of Philosophy 

You can add your signature to a petition here to get a statue erected to her, if you like.

Detail from painting by Alexander Nasmyth, depicting the family of
Neil 3rd Earl of Rosebery in the grounds of Dalmeny House.
Courtesy of Dalmeny Estates

Bessie Watson was the youngest bagpipe playing suffragette! Born in Edinburgh in 1900, she was encouraged to play to strengthen her lungs as prevention against tuberculosis which ran in the family. Look at her little pale face! She joined the WSPU, the Women’s Social and Political Union, with her mother, marching down Prince’s Street in 1909 to celebrate ‘what women have done and can and will do’.

Bessie Watson
Princes Street, Edinburgh


Jane Haining was ‘A farmer’s daughter from Galloway in south-west Scotland, Jane was a Church of Scotland missionary, and went to the Scottish Jewish Mission School in Budapest in 1932, where she worked as a boarding school matron in charge of around 50 orphan girls. The school had 400 pupils, most of them Jewish. Jane was back in the UK on holiday when war broke out in 1939, but she immediately went back to Hungary to do all she could to protect the children at the school. She refused to leave in 1940, and again ignored orders to flee the country in March 1944 when Hungary was invaded by the Nazis. She remained with her pupils, writing ‘if these children need me in days of sunshine, how much more do they need me in days of darkness’.” Her brave persistence led to her arrest in by the Gestapo in April 1944, for “offences” that included spying, working with Jews and listening to the BBC. She died in the Nazi concentration camp at Auschwitz just a few months later, at the age of 47.’ There is a fitting memorial to her on Calton Hill. There is a book about her, Jane Haining, A Life of Love and Courage by Mary Miller published by Birlinn.

Jane Haining memorial, Calton Hill, Edinburgh


Williamina Paton Stevens Fleming (1851 – 1911) was a Scottish astronomer active in the United States. During her career, she helped develop a common designation system for stars and cataloged thousands of stars and other astronomical phenomena. ‘One of nine children of a Scottish craftsman and his wife, she already knew the cold reality of family survival. Her father had died when she was seven; at 14, she had become a student teacher to help support her mother and siblings. At 20, she had married a Dundee bank employee and widower, James Orr Fleming, 16 years her senior—who would abandon her and their unborn child shortly after her arrival in the United States. Despite it all, “Mina” Fleming would rise to a key position in Harvard’s astronomy program and be hailed as the nation’s preeminent woman astronomer..(classifying) by far the most extensive star compilation of the era.’

The Edinburgh Observatory, now the Collective Gallery, Calton Hill, Edinburgh (not my photo)
‘Edinburgh’s Acropolis’, Calton Hill, Edinburgh

The Hidden Heroines tour took in women of politics, literature, medicine, education, witches and business and I highly recommend it if it is ever held again.

Freiburg im Breisgau

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Freiburg October 2017, a friendly, open-minded university town awash with complementary therapists.

The town gate Martinstor, Freiburg


The highlight of my visit was the walk on Schauinsland, a mountain in the Black Forest with an elevation of 1,284m (4,213 ft) above sea level. I was lucky with the sunshine and wandered through leafy, cobbled suburbs before starting up the hill on the left.

It was a sweaty start, stony underfoot, but some smiley ladies cheered me up. There were sweet chestnut trees and some fir. Later, a beech and the odd oak, silver birch and sycamore, delicate Michaelmas daisies delighted me, with scarlet berries heralding the winter season a few months away. The higher I got, the more wonderful the views.

The Autumn leaves were falling and there was ample signage in places. A bird squeaked to get my attention – it was black with red under its tail, very smart. Then I heard knock knock – a woodpecker? Hmm, probably a European green if it was, with its red cap. There was the sound of cow bells and blue tits seemed to be playing. I stopped for a rest and a sun bathe, closing my eyes and taking in the peace. To start with I was a little overwhelmed with memories of other walks, but I breathed deeply and let other thoughts float in and out.

There are simply miles of wonderful strolling and one could easily get lost on purpose so that it never ended, although for that, I thought, everything would have to stay the same and inevitably my feet would tire and I would have to stop.

Crags and rocky passes, Schauinsland

I used my new staff, and my footsteps sounded hollow on the springy earth and piles of pine needles. Sometimes there were shush-dry heaps of fallen leaves, wind in the trees, and the slosh of water in the bottle in my rucksack.

There were little huts to rest outside with your feet up. Schauinsland, Freiburg, Germany

The day had less light in it than I needed and I had to rush to get to the top so I could get back down before dark. In fact, there wasn’t time so I took 11 euros worth of gondola instead which was extremely steep and not for those who suffer from vertigo. It arrived at the official starting point where you can then take a tram into town rather than walk for two hours. I would recommend setting off at 9 am if you come during this beautiful season of the year.

Classic shot of the Black Mountains, Germany

More info: the drinks at the cafe at the summit are also really expensive but there are good, free toilets top and bottom. Find a way to avoid the motor bikes and serious male cyclists in all their gear as they zip past and are almost all unfriendly. You can drive or ride all the way or part of the way up. Tram #2 connects the town to Dorfstrasse. The 21 bus costs 9 euros.

Late Autumn afternoon
There’s a pub with a beer garden at the bottom of the slope if you want it. I didn’t go in, so cannot say if it’s good or not
I can vouch for the Storchen – warm, wi-fi and delicious pastries

I stayed at the Black Forest hostel in a 20 bed dorm for 17 euros. You need to provide your own pillow case and sleeping bag or pay extra for them. There is a good, small kitchen and friendly communal area with computers to share and board games. It wasn’t too far (20 minutes) from the bus station, but was full of football fans when I arrived. The staff at reception were very helpful.

The view from the back of the hostel of vines growing on the hillside

10 mins from hostel along the pretty River Dreisam under charming cast iron bridges was the supermarket.

Cycle paths in the town of Freiburg
Jesus Sacred Heart Church, Freiburg


Typical architecture, Freiburg

From Freiburg you can easily reach Colmar in France on the Alsace wine route and Strasbourg, straddling France and Germany on the River Rhine. I highly recommend them all!

On the way to the train station

Beware – there are no buses between Basel airport and Fribourg in Switzerland, or at least there weren’t when I tried to get one. If you find one, do double check that it is to the west, into Switzerland and not the east into Germany. Because of the two languages spoken in Switzerland, Fribourg is also known as Freiburg, so you can see the confusion. That was how I got to visit this lovely place and I don’t regret it, but it was quite a big mistake!