Sound Walk Map

A map of sound walks in Edinburgh EH5

This is a map showing the locations of three soundwalks in Edinburgh EH5 by Tamsin Grainger: ‘The Wall’ and ‘No Birds Land’ were both shortlisted for Sound Walk September awards (walklistencreate.org). Is There a Place for REVOlution or Peace and Biscuits was a 4WCoP23 event. Detailed information can be found on the links below, together with Soundcloud and Vimeo connections.

Whilst ‘No Birds Land’ and ‘Is There a Place for REVOlution or Peace and Biscuits’ have recently been renewed and mended with new pennants, I’m sorry to say that ‘The Wall’ installation has become ragged from the weather and time. You can still walk along the wall / Western Breakwater of Granton Harbour and listen to the Sound Walk on your phone, but you will need to access it either before you leave home or from here if you have sufficient data, as there is no QR code currently at the site. Links to ‘No Birds Land’ and ‘Is There a Place for REVOlution or Peace and Biscuits’ are below.

My sound walks are site-specific sound/art installations with QR codes for you to listen to on your phone as you are walking through the tunnels or along the wall on the Western Breakwater of Granton Harbour.

Links

The Wall

No Birds Land

Is There a Place for REVOlution? or Peace and Biscuits

Is There a Place for REVOlution? or Peace and Biscuits

A sound walk and installation made in a tunnel for ‘Watch This Space’ #4WCoP23 September 2023 using graffiti by North Edinburgh artists and local history. Listen here.

Hand stitched pennants in the Ferry Road Tunnel on the Chancelot Path. Is There a Place for REVOlution? or Peace and Biscuits

Location

‘Is There a Place for REVOlution? or Peace and Biscuits’ is a site-specific Sound Walk and Art Installation on the Chancelot cycle path under Ferry Road in Edinburgh. It is on Google Maps and the location using What3Words is ///fallen.reach.bottle

You can use your phone to activate the QR code and listen while you walk through the tunnel. You can also listen at home (without the full effect).

Understanding the text

The text of this Sound Walk uses other people’s sprayed graffiti words, so it sometimes sounds like nonsense. In it, I am playing with the found text, trying to make sense of it. Sometimes I read the words (like ABDO or REVO) from left to right (as English) and sometimes from right to left (as Arabic), highlighting the effort we often have to make to understand each other, and how important it is that we do. Because this is a sort of creative prose or poetry, I also make up my own words to fit in with the letters I find.

Sound Walk topics include:

  • Local history
  • Communication between us (reading and language)
  • How to keep yourself going when everything seems bleak
  • How the Red Line has been used in activism, in this and other countries
  • The capitalist system and whether it helps us
  • Slowing down and noticing nature; using wall- or street-wisdom

Site-specific Art Installation

You will find hand stitched pennants looped on a red line on one side of the tunnel. The string of triangular flags are hanging from old metal hooks which were originally used for cable and wires when this cycle path (or greenway) was a railway. The images and found text are from the walls and surfaces around North Edinburgh.

#4WCoP23 Is There a Place for REVOlution? or Peace and Biscuits

“AET REY NOOD Do you recognise this language? DAERB REY TAE. Can an internet app translate it? It’s ABout DOing /  Or Don’t Be And (face the consequences).” This is text from the new Sound Walk. For clues, see the images below.

Doon Yer Tea, graffiti on the North Edinburgh cycle paths. Is There a Place for REVOlution? or Peace and Biscuits

I’m playing with words, making my own acronyms which are inspired by the found text. For example, ABDO (reading from left to right and back again from right to left etc) becomes: “And Between Doing Or Don’t Be. Anyway, By Doing Otherwise, Deciding to Be And Bide, Doesn’t Our Doing Become……A Beautiful Door Opening. Or Don’t Butterflies Ascend?” Am I speaking in riddles? I hope I haven’t lost you.

ABDO, graffiti in the Ferry Road Tunnel of the Chancelot Path. Is There a Place for REVOlution? or Peace and Biscuits
Is There a Place for REVOlution or Peace and Biscuits mini-video
REVO and BISTO, two of the most familiar ‘words’ of graffiti found in the Ferry Road tunnel of the Chancelot Path. Is There a Place for REVOlution?
ABDO (reading from right to left: ODBA) is a character in Egyptian writer, Deena Mohammed’s Your Wish is my Command, a graphic novel. Is There a Place for REVOlution? or Peace and Biscuits

Using found words / graffiti that spoke to me

Unless you people see signs and wonders you will never believe
80% of ocean life is dead
Many
Deaths
Lives Matter
Unfuck the system
Fight
REVOlution, Revolt, Revoke 
Part of the Peace and Biscuits sound walk script
Postcard made for the 4th World Congress of Psychogeography 2023. Is There a Place for REVOlution? or Peace and Biscuits

In this soundwalk, there’s some local history, activism and suggestions for when you are in a dark tunnel and cannot see the light at the end, the way out. There’s a film here on Vimeo that gives you a (silent) idea of the walk.

Walking across the Red Line . The Red Line is a symbol that a line has been reached and should not be crossed. An example of this would be the amount of carbon emitted into into our atmosphere. Is There a Place for REVOlution? or Peace and Biscuits

“I often use Street Wisdom if I need to get an insight on a situation or a problem. Once I’m tuned up, I’II hold the issue and just walk with that in mind and body, and see what happens. (It’s basically a shorthand way of doing the Quest: “Streets, show me some options with all this!”) Something often, if not I j. The other day I was full of different stresses, and the streets shared with me all kinds of patterns that seemed interconnected. I interpreted that insight as “Everything’s connected” (it’s nice to reduce the insight to 2 or 3 words). And that really helped!

Philip Cowell from Street Wisdom
Local graffiti Edinburgh. Is There a Place for REVOlution? or Peace and Biscuits
Hand stitched pennant. Is There a Place for REVOlution? or Peace and Biscuits

With MANY thanks to Alba Bersolí (film maker ‘El día que volaron la montaña’ (When the Mountain Rumbles shown at the Catalan Film Festival in Edinburgh 2023 on Instagram @albabresolí ) for lending me her laptop and teaching me some Premiere Pro, going above and beyond to support me, and being an all-round wonderful woman.

New pennants (August 2025)

Notes

‘Your Wish is my Command’ is a graphic novel by Deena Mohamed reviewed here in the Guardian newspaper. There is a charcter called Abdo in it. ABDO is a word graffitied on the wall of the Ferry Road tunnel on the Chancelot Path where my Sound Walk is located.

First Friday Walk – July, Psarades

7 July 2023

A maze of pathways scored into the hillside
Stories, only half-hidden
Of children severed from Spain, England, Western Macedonia.
Women walk the whitening circle of remembrance.
Marble slabs lie aslant.

The First Friday Walk is a Walking the Land artist collective monthly event. The brief for July 2023 was from Amanda Steer @adamandadraws ; the theme of the walk was our tracks and the traces we leave in the landscape.

Kel Portman and I walked together through the village, up and along to the cemetery.

Cemetery Psarades, Greece

On the evening of the FFW, Soazic Guezennzec invited us to listen to the memories of older people living in the area, and Alexandra spoke movingly about her sisters and brothers who were evacuated from the village (200 young children) in 1948 when she was a baby.

Alexandra and Soazic, Psarades, Greece

The next morning (8 July), I participated in a pilgrimage organised by Jenny Staff (see The Roll of Emplacement) in which seven women collectively walked over 19,000 steps in a circle in the town square. Each carried a stick which had white chalk on its end which drew on the ground.

Invisible to Visible by Jenny Staff, Psarades, Greece

I was at the Walking Arts Encounters ’23 at Psarades / Prespa in Western Macedonia, Greece.

All photographs copyright Tamsin Grainger

The Granton Boundary

Walking Like a Tortoise around the Granton boundary

This project started with a collective walk on the Festival of Terminalia on 23 Feb 2023. It was followed by further solo and group walks and became the Walking Like a Tortoise project, which incorporated mixed media art exhibitions at Granton:hub (Edinburgh) on 29 September 2023 – 1 October 2023; Granton Station; Spilt Milk Gallery (online); and Edinburgh Central Library between 1 August – 30 September 2024. Community walking and workshops were a key part of this project and attracted a Creative Scotland / City of Edinburgh Council grant. Please also see this post for further artworks

Illustration from ‘On the Festival of Terminalia’ zine

Before

Granton is changing a lot and very quickly. My plan was to make a series of walks using different contemporary and historical maps to explore the edges of the place and document who and what I found there. I was interested to see where the area began and ended, and how it bordered on its neighbours. I was asking, Who or what is in and outside the boundary?

For the first walk, I set off in a clockwise direction, following the map I photographed at the National Galleries presentation of their new project, Art Works, at the Edinburgh College in June 2022:

Granton, From The Architects Journal
  • From Granton View, I started down Lufra Bank
  • turning right up Granton Rd and right again onto the cycle path
  • coming off at Pilton Drive, and walking westwards along Ferry Road
  • continuing down Crewe Rd North, back towards the sea
  • turning at the ‘new’ gas building by Caroline Park
  • making my way along Waterfront Ave to the harbour (I knew that access to the boundary had been cut off here and that the Western and Eastern Breakwaters were not connected by land but by the Firth of Forth rushing between them, so I had to take a detour)
  • along Wardie Bay beach
  • climbing up Wardie Steps to the post box
  • and completing the circle back at Granton View.

I met residents and visitors to Granton as I walked and had some interesting conversations about where they thought the boundary was. I asked permission to take their photo and keep some basic information about them (name, age country of origin if appropriate etc) explaining I might use it for an exhibition in the future.

The Tortoise

The title for this project comes from two sources. The first was a charming story I was told by my former neighbour, Betty, about how as a child she was handed a stow-away tortoise from the depths of an esparto grass boat that had put in to Granton Harbour at the bottom of our road. (Esparto grass was imported for the paper-making industry in the 1940s). The second is related to the Taoist practice of ‘walking leisurely like a tortoise’ which I and other T’ai Chi enthusiasts do as a mindful meditation. When we do that, something fascinating happens: we feel part of what’s around us and also separate; we are conscious of everything—the details as well as the bigger picture—and aware of our own feelings at the same time.

I practised a version of this slow walking around Granton as a counterbalance to the pace of life around me. It allowed me to meet other residents in a relaxed way, notice what lives here, and have time for reflection and reassessment, which is something that rushing does not.

“How much are we missing because we are constantly on the go….? When will we make space for our bodies to reflect and for our hearts to widen so we can connect with who we are?”

Trisha Hershey, Rest is Resistance

The project aimed to contribute to our collective memory by asking: ‘Where is the boundary of Granton?’ ‘Is it important that things stay the same or are changes welcome?’ ‘Is the decision-making process which is precipitating these changes a democratic one?’ and, ‘Is belonging somewhere important to a sense of identity?’

Once, Granton was outside the main city and shown in a ghostly grey on the plans. Once, there was no harbour, no outward reaching / welcoming arms from our shores. Later, Granton was part of Crammond, a large and sprawling geography which contained parts of the River Almond, Newhaven, Inverleith, most of Ferry Road, swathes of Leith, and Davidson’s Mains. It has got smaller over the years, halved and subdivided.

Walking the Granton Boundary copyright Tamsin Grainger

Maps

‘Walking like a Tortoise’ became the title for two mixed media art exhibitions based on the Granton walks. The introduction explained that I had used maps of the area from 1870 to the present day, skirted the urban and coastal landscapes of Granton, looked into hidden corners, viewed the architecture from unlikely angles, and spent time meeting those who live and work there.

I showed a lot of Granton maps in the exhibition, the ones which were used to plan the walks, and others which showed exactly where the area was and is according to different political and social groups, and in different eras. Granton is part of entities of varying sizes and shapes and it’s not always easy to know where the dividing line is between it and its neighbours – Pilton, Wardie and Trinity. There is ‘Edinburgh North(ern) and Leith’, the Scottish parliamentary constituency, and also the Westminster (UK government) ward of ‘Forth (Edinburgh)’. Then there’s the Edinburgh Parish of which we are part, the EH5 post code area, or the more generic ‘North Edinburgh’. Each map charts different distinctions and definitions which serve to separate and unify people and places. They are always political and prompt the question, ‘Are you in or out?’ Like all maps, they are networks; a tracery of streets and cycle tracks which lead to somewhere important. I walked these pathways and discovered that though they sometimes connect with each other, they are sometimes dead ends offering privacy, but no way through.

Through photographs, words, textiles and found materials, I asked how the act of slow walking can develop a sense of belonging somewhere, and how mindful noticing of the area, on foot, promotes appreciation of, and connection to what is home. Then the official boundaries are less important and it’s the human and natural links that matter.

New Building

The Granton, Royston and Wardieburn schemes (social housing estates), which started being built in 1932, have long been demolished and substituted. Much older, formerly industrial buildings have also been raised to the ground, and now green / brownfield sites have been replaced with tall, rectangular boxes of oddly coloured bricks with little history and no gardens (although some advertise dog grooming facilities). All this is despite Historic Environment Scotland stating, “The historic environment shapes our identity. It tells us about the past, the present – even points the way to the future.”

‘New’ building, Granton, Edinburgh

Planned at least as far back as 2019, it’s only recently that the Council, an hour’s bus journey away in the middle of the city, actually embarked on further extensive apartment building out here at Edinburgh’s edge. Although the architects and planners who spoke at a recent Pecha Kucha public event (EDI- v.45: RETROFIT “The greenest building is the one that already exists”) were unanimous in agreeing that changing existing buildings is infinitely better for the environment than putting up new ones, these newbuilds are now happening apace.

Slow

Walking slowly around and hearing people’s stories helped me and those who walked together in the community events feel part of a multi-cultural community. We found that we all have different backgrounds, but share a need to belong somewhere, that there is something unifying about how we live and use our local resources. Going to one of the Co-op stores slowly on foot is a chance for us to catch up on news; the Granton Community Bakery queue is ideal for some lively banter; returning your book and using the computer at the precious Granton Library offers time to listen to and exchange local gossip, securing community ties; and scything wheat in the Granton Community Garden followed by eating lunch together is a choice opportunity for swapping experiences.

Slow is “a position [that is] counter to the dominant value-system of ‘the times … We believe there is a positive potential in slowness as a means of critiquing or challenging dominant narratives or values that categorise contemporary modernity for many”.

Wendy Parking and Geoffrey Craig, Slow Living

Collaborations

The first Walking Like a Tortoise Community Walk took place on Friday 29 September 2023, followed by the opening of the exhibition at Granton:hub. Granton:hub is the home of the community archive where I volunteered and worked for 6 months during this project, meeting members of the public at the weekly drop-in sessions, sharing community walks, an open day, and art workshops, some with members of the Granton History Hub and volunteers.

Granton Waterfront were also funders of part of this project, incorporating more community walking and including translations of the text into Arabic and Polish, art workshops for children and for adult carers, and an evening of community sharing and discussion – Women’s Heritage in Granton and North Edinburgh which focused on Black women and women of colour and involved Edinburgh and Lothians Regional Equality Council (ELREC), the Edinburgh Carribbean Association, and Project Esperanza. This project was also involved in Cultural Heritage at the Metropolitan Edge (CUMET), with Granton:hub and the Edinburgh College of Art.

Walking Like a Tortoise exhibition at Granton:hub (September 2023)

A children’s workshop was held at the Edinburgh Central Library on 14 September (see below). On 18 September 2024 there was an adult event: a tour of the exhibition, a slow walk (like a tortoise – a style of marital art), an explanation of the project in the context of geography (counter-mapping), anthropology and the changing population from the past to the present, and an author/artist reading from The Wall (short-listed for a Sound Walk September Award).

Children’s workshop at Walking Like a Tortoise exhibition Edinburgh Central Library Sep 2024

I have now circled these roads and byways many times, and as a long-time Zen practitioner I always aim to walk without expectations of what I may find, to be in the moment. I’m ready to encounter and notice what arises. Though I’m a psychogeographer, I resist straying if my interest is piqued, sticking instead to the prescribed boundary route, but taking care and paying equal attention to the urban and the rural, the so-called banal and the beautiful.  

There were more questions arising from the Walking Like a Tortoise project

The City of Edinburgh Council have sliced off the coastal strip and named it Edinburgh Waterfront. Does that mean that we need to let go, then, of that fragment of Granton and accept that our border is now an inland one, that we have no seaside?

The Council have also renamed buildings and streets, disorienting older, local people and confusing their memories. Was this necessary? Did they take care to think it through or were considerations of image more important?

Granton has no equivalent of the Leith ‘Persevere’ emblem, and I took to thinking about and discussing what one might look like. I wondered whether the tortoise could be part of it. What do you think? What else could we add to represent our community?

Stitched Steps

Tensions

There are tensions at this edge of Edinburgh. A young Chinese woman told me about her feelings of loss over the cutting down of trees overnight to make way for new blocks of flats, despite the fact that the previous day she and other residents had chained themselves to the railings to make it very clear they were opposed.

Flora and Fauna – Heritage

I walked to the fringe, to the beach and wastelands at the border of Granton where the best wild herbs grow for foraging, and where there is hidden art. I diverted into the centre where the library and health centres, homes for the elderly, and clubs for young people are. I wrote about it on Caught by the River magazine. Places transform all the time, but it became plain that the alterations that people and the climate have wrought on the built-up environment and natural spaces are happening at a rapid pace; there are new no-go areas, streets and stations with new names, and views which have disappeared.

Slowly wandering the boundary and making artwork has stimulated a deeper understand of local history and heritage, but how much of this will have soon vanished?

Secular, Urban Pilgrimage

I often make secular pilgrimage in places previously unknown to me, and though Granton is familiar territory, it is nevertheless a pilgrimage of sorts. As with the St Magnus Way, I left home, visited venerated places, and returned to my doorstep. There was no triumphant arrival, just a simple home-coming. It was, however, inevitably a sort of transformation – for the landscape through which I travelled, for the other human and more-than-humans (plants, birds, animals) I met along the way, and for me. After all, any stepping changes a place and it’s inhabitants.

“Seekers of wisdom, seekers of life.”

Lailah Gifty Akita, Pearls of Wisdom: Great mind

Walking Like a Tortoise at Edinburgh Central Library was supported by VACMA (City of Edinburgh and Creative Scotland)

Links to other boundaries and borders projects and the Sound Walk Map (Edinburgh):

Walking Like a Tortoise

Festival of Terminalia (official website)

The Festival of Terminalia zine is available by post for £4 plus p&p. Please email tamsinlgrainger@gmail.com

Walking the Line

Leith’s Women and Walking Between Worlds

The Wall

Festival of Terminalia (my blog)

Precarious Edge

Sound Walk Map (Edinburgh) A link to a map which shows the locations of my three site-specific sound walks: The Wall, No Birds Land and Is There a Place for REVOLution or Peace and Biscuits

Leith’s Women

This blog is related to walks I have led in life and online which focus on the lives of Leith’s women.

Focus on women

I am focusing on women’s stories because as a woman and a feminist I need to know who came before me, about my backstory; it helps me sense my place in the continuum of the generations. I have a special interest in the lives of people who are forgotten or overlooked, and especially those who were connected to the area where I have lived for so long. I took solitary and group walks to visit the graves of notable women in Rosebank Cemetery, North Leith Burial Ground, and South Leith Parish Church, stopping at streets between them to discover more about the women who lived there.

This is the original route map. The March 2023 route begins at Rosebank Cemetery, Pilrig Street and ends at South Leith Parish Church at the top of Constitution Street, Leith

Located by the sea, we have records of Leith’s wharfs being in use as far back as the eleventh century, and know that by the fourteenth, it had become the principal port. (After that Glasgow took over, offering quicker passages to the Americas). The docks (named after Victoria (the Queen), Albert (her consort) and so on) were built between 1817-1904. By 1833, we know that Leith had grown into a powerful independent burgh. In 1920 there was a plebiscite about joining the City of Edinburgh, and the people voted 26,810 to 4,340 against. Despite this, the merger went ahead, but to this day Leith has a distinctive and independent character. Many of the women we will be finding out about will have seen those changes happening; they and their families would have relied on the goods and business which was channeled through the port, and sailed in and out through it.

  

Bessie Watson aged 9 years Leith

I have spent a great deal of time trying to discover information about the women buried in Leith, and have not found as much as I would have hoped. I did come across a record with the names of the women in the Leith Poor House in the eighteenth century which made very interesting reading, but very little detail about their lives, and thus I scoured newspaper cuttings, Facebook, local history groups, and online links for associated details. Nevertheless, thinking about these women I never knew, searching for details about their lives, and trying to understand what it might have been like for them to live in Leith / Scotland in the seventeenth to nineteenth centuries has been worthwhile, emotionally and symbolically.

As we all know, behind the inventions and developments, the ports and ships and grand buildings which were built then and which have survived almost entirely with the names of men attached to them, were the women and girls giving birth, loving and supporting them.

The women who were buried with headstones, so that we know their name and sometimes, their family affiliations, came from monied families and/or were married to monied gentlemen. Although the language you will find on them is archaic to our ears ‘Sarah Adam relict of Alex…’ these were wives, sisters and mothers who were ‘loved and respected’ and ‘much missed’. I will continue to be interested and to listen to as many stories as I can, to unearth not the bodies but the lives of them.

Rosebank Cemetery

One of the most famous graves in Rosebank is that commemorating Ida Bononomi (probably Italian). It reads, ‘Sacred to the memory of Miss Ida Bonanomi, the faithful and highly esteemed dresser of Queen Victoria, who departed this life October 15 1854, in the 37th year of her age. Beloved and respected by all who knew her. This stone had been placed by Queen Victoria as a mark of her regard’.

Ida Bononomi

Bononomi’s job was a position of extreme intimacy with the monarch. In the Autumn of 1854, Ida had been travelling in Scotland with the Queen and stayed with her at Holyrood Palace where she fell ill. She was therefore unable to travel on with her mistress. In her journal, the Queen wrote, ‘Saw Sir James Clark, who brought me a telegram with the sad news that my excellent maid Ida Bononomi, whom I had had to leave at Holyrood as she had become so ill, not having been well at Balmoral before – had died last night. It was a great shock to me, & I was thoroughly upset, for no one, including Sir James had apprehended any immediate danger. She was the kindest, gentlest, best being possible, & such a pleasant servant, so intelligent, so trustworthy & her calm, quiet manner had such a soothing effect, on my often over wrought nerves. To lose her thus, and so far away, surrounded only by strangers is too grievous. Everyone was shocked & grieved, for she was quite adored.’

Queen Victoria liked funerals and had an interest in the protocol of mourning, ‘a mentality as much as a personal observance’ (see below for references). It is known that she recognised the deaths of her housemaids and others with ritual in which other members of the household were required to be involved, and also that she visited Ida’s grave six years after she died.

Queen Victoria high on her plinth outside Lloyd’s Pharmacy, at the bottom of Leith Walk

There are, of course, many other graves of interesting women in this cemetery, and there is also one which commemorates the stillborn babies who, by Scots law, cannot be cremated and must be buried. Annie Blackie is said to be the oldest person buried here (105 years). There is a rare female WW1 grave to E G Elder of the Women’s Royal Naval Service (7/7/18) and a WW2 memorial to E W L Fruish, also of the WRNS.

Excellent information for parents of stillborn babies who dies long ago is offered by SANDS (‘Saving babies’ lives. Supporting bereaved families.’) Phone: 0808 164 3332 or email helpline@sands.org.uk

Also, Held in our Hearts charity providing baby loss counselling and peer support to families. Tracy Watt can be contacted here tracy@heldinourhearts.org.uk

Jessie Mann (1805-1867) is a strong candidate for Scotland’s first female photographer. She was known to be the studio assistant of David Octavius Hill and Robert Adamson and worked at Rock House, Calton Hill. Later a school housekeeper in Musselburgh, she died of a stroke aged 62. She is thought to be the photographer of the King of Saxony which hangs in the Portrait Gallery on Queen’s Street (yes! the same queen).

The grave stone of Amina Bibi – wife, mother, mother-in-law, grandmother

According to a Commission for Racial Equality paper, it is important that Scottish cemeteries set aside a section for Muslim graves, as is the case in Rosebank. It is important that they are raised 4-12 inches above the ground, as it is forbidden to walk over them. Before burial, the body will be washed in a ritual manner (Ghusl), usually in the Mosque, then taken to the grave where a prayer is said (Salat Al-Janazah). Then the body is wrapped in 1 or 2 sheets of white cloth and laid in the grave (traditionally without a coffin, and strictly only one person per grave). The headstones are usually simple.

Information on Muslim Burials from the Scottish Muslim Funeral Service

Bonnytoun

Turning left out of Rosebank, we can walk across the junction and along Newhaven Road. Second on the right is Elizafield, named after Eliza, a native of Leith, and the woman who bore Dr. Robert Grant (not Dr Robert Edmond Grant, zoologist). I have not been able to find out anything about her and her life – her story has disappeared, perhaps deemed less important than his, despite the fact that he would not exist if it weren’t for her, not least because birthing was such a dangerous task in the 1780’s.

Historically it [birth] was thoroughly natural, wholly unmedical, and gravely dangerous. Only from the early eighteenth century did doctors begin getting seriously involved, with obstetrics becoming a medically respectable specialty and a rash of new hospitals being built. Unfortunately, the impact of both was bad. Puerperal, or childbed, fever was a mystery, but both doctors and hospitals made it worse. Wherever the medical men went the disease grew more common, and in their hospitals it was commonest of all.

Druin Burch (2009) https://www.livescience.com/3210-childbirth-natural-deadly.html

Eliza’s son was a surgeon and left Leith in his twenties (1782-92) to settle, very successfully, in South Carolina (USA) marrying Sarah Foxworth. The rice plantation he established in Georgia was also named Elizafield, and, as was the way then, it only drew the produce and profits it did, as a result of the female and male slaves who carried out the work: they were, ‘the driving force behind the success of the plantation’. (Amy Hedrick, author on glynngen.com).

Current street names refer to the industries which used to be located in the Bonnington area

Women in industry

Flaxmill Place is almost opposite Elizafield. Flax was used to make linen, most of which was exported from Scotland, and it was a very successful industry employing 10 – 12000 workers, many of whom would have been women (although the exact data is unavailable).

The Bonnington Mills, on the banks of the Water of Leith, made woollen cloth as well as linen, and much of the wool was produced by women in their own homes nearby. As the owners were always aiming to improve profits and cut corners, they controversially introduced Flemish and French workers (who were accommodated at Little Picardy(ie), the current Picardy Place). The women and girls spun the cambric yarn (for the close-woven, light type of linen) to try and improve the quality of the cloth, but this took away the local jobs. 

Before 1887

Before the Industrial Revolution, hand spinning had been a widespread source of female employment. It could take as many as ten spinners to provide one hand-loom weaver with yarn, and men did not spin, so the majority of the workers in the textile industry were women. The new textile machines of the Industrial Revolution changed that. Wages for hand-spinning fell, and many rural women who had previously spun, found themselves unemployed. In a few locations, new cottage industries such as straw-plaiting and lace-making grew, taking the place of spinning, but in other locations women remained unemployed.

A screenshot from google earth maps of the Bonnington waterwheel

In 1686, the first Parliament of James VII passed an ‘Act for Burying in Scots Linen‘, the object of which was to keep the home-made cloth in the country. It was enacted that, “hereafter no corpse of any persons whatsoever shall be buried in any shirt, sheet, or anything else except in plain linen, or cloth of hards, made and spun within the kingdom, without lace or point.” Heavy penalties were attached to breaches of the Act, and it was made the duty of the parish minister to receive and record certificates of the fact that all bodies were buried as directed. On hearing this, we can imagine that the women in the graves we were visiting may have been bound in just such a linen shroud, made right in this place.


Here are the remains of the Catherine Sinclair drinking fountain – the first ever such watering place. She was a children’s writer and philanthropist (1800-1864) and it can be found at Steadfastgate, Gosford Place. See the Women of Scotland site for more details.

Remains of the Catherine Sinclair drinking fountain, Steadfastgate

North Leith Burial Ground

Lady Mackintosh

Colonel Lady Anne Mackintosh (b 1723-1787) was the daughter of John Farquharson, the chief of the clan and staunch Jacobite. She married the head of the Mackintosh(es) when she was aged 19 and was feisty by all accounts, known as one of the damn rebel bitches (the name of a book by Maggie Craig). These were women who acted as moral supporters for their men. They served in intelligence and communication roles, built support for the movement, sheltered Jacobite fugitives, and had their image torn apart by the enemy press in the papers’ attempt to discredit the Jacobite cause.

When Anne was 22, she dressed in male attire and rode around the Scottish glens to enlist men to fight in a regiment for the cause Prince Charlie. This was an attempt by Charles Edward Stuart to regain the British throne for his father, James Francis Edward Stuart in what became known as the 1745 Jacobite uprising or ’45 rebellion’ or, simply, ‘The 45’. The numbers of men she raised are different in each account, from 97 to 200, 350, even 400! If the women who supported the cause in such a way were captured…..

“The ‘ladies’ all got off with at worst, a brief term of imprisonment. Some made pretty speeches to King George and got their husbands released and their lands restored. Even when in prison they were well treated, and allowed their silk gowns and nice food. This applied even in cases where they were clearly guilty of treason. ‘Common women’, on the other hand, mostly got shipped off to the West Indies as slaves for life, usually for doing nothing more than following their husbands on campaign.”

Maggie Craig

During the uprising Captain Angus Mackintosh, her husband, fought on the losing Government side at the Battle of Prestonpans in 1745 and was subsequently captured. He was later released into Anne’s custody. After the Battle of Culloden in 1746, however, when the tides turned, Anne herself was held in Inverness for six weeks before being turned over to her mother-in-law, whose family had fought for the other side. These family disagreements were eventually forgiven and Anne and her family moved to Leith where she died in 1784 and was buried in North Leith Burial Ground which would have had a church beside it in those days.

The memorial stones at North Leith Burial Ground are old (1664 – 1820) and varied. You can find grand mausoleums and individual slabs – some half buried and unintelligible. Almost all have engravings and carvings are worth seeing. I suggest we search for the grave of Lady Mackintosh as well as carvings of a long bone, angels, skulls and hourglasses (some on their sides and others upstanding, the sands of time sifting down through the narrow neck as life passes by).

Queen Charlotte Street

Queen Charlotte in Bloomsbury Square

Crossing the Water of Leith again, along Sandport Place and Tolbooth Wynd, is Queen Charlotte Street, named after the Queen of Mecklenburg-Strelitz (1744-1818). She is remembered in Queens Square, Bloomsbury, London with a statue (see above). Charlotte was an immigrant and did not support slavery (there is a bit of a theme emerging here!)

Sara Sheridan, in her book Where are the Women, tells of Elizabeth Nicol (1807-189), an abolitionist, anti-segregationist, suffragist, and chartist who “attended the World Anti-slavery Convention in London in 1840 as one of only six British female delegates. On arriving the women were told, despite their objections, they could not participate and were made to sit in a segregated area.”

Queen Charlotte was a reknowned botanist and founded Kew Gardens. Married to King George III, she had fifteen (that’s 15) children and was, famously, painted by Allan Ramsey (also an anti-slavery campaigner) in 1762, when she was aged 17 years. The painting is owned by the Scottish National Galleries. Recent articles have posed the question whether she was of African origin herself which would explain her support.

Round the corner and on to Constitution Street is St Mary’s Star of the Sea, a Catholic church and home to the missionary oblates.

Hail, Queen of Heav'n, the ocean Star, 
Guide of the wand'rer here below!
Thrown on life's surge we claim thy care,⁠
Save us from peril and from woe.

Mother of Christ, Star of the sea,⁠ 
Pray for the wanderer, pray for me

Based on the anonymous Latin hymn, Ave Maris Stella

South Leith Parish Church

Further up the same street is St Mary’s Chapel, part of South Leith Parish Church, dating from 1483, and its graveyard. I spent some considerable time researching the women in this kirkyard, trying to find out their stories, but to almost no avail. I focused on another Charlotte, Charlotte Lindesay (1780-1857 aged 77), and did manage to discover that she was one of a brood of six from Feddinch in Fife, and that her parents were William Lindesay and Elizabeth Balfour. In 1805, she married her cousin, Patrick who was very active in the community.

Amongst other jobs, Patrick was the president of the Leith Dispensary and Humane Society which was formed in 1825 on Maritime Street, later to become Leith Hospital, bringing healthcare (via a clinic and hospital, both initially in Broad Wynd) to the poor. I like to imagine Charlotte accompanying him, or even visiting the needy with a basket over her arm as portrayed in countless Jane Austen films, but I am woefully ill informed about her true particulars.

See how this woman is named a ‘relict’ of her husband, South Leith Parish Church, Scotland

The forerunner of that Leith Hospital was the Old King James Hospital in the Kirkgate, founded in 1614 and closed in to make room for the new one in Sheriff Brae overlooking Mill Lane in1822. You can still see part of the wall close by the South Leith Parish Church.

If you were one of the very first groups of female students who were finally ‘allowed’ to do clinical training at a Scottish hospital in 1886, you would have done it in Leith – in your long skirts and tight waisted costumes.

Sophia Louise Jex-Blake, leader of the Edinburgh Seven (Wiki)

Christine Hoy tells us about the first district nurse, Mrs Brown whose role it was “to carry out faithfully the doctors’ orders, to instruct the relations or friends of the patient in the art of good nursing and to inculcate, and if necessary enforce, attention to cleanliness”. The hospital paid for her to attend a nursing course at King’s College, London. Popular and hardworking she made 13,000 home visits in 1877 alone. More information on The Edinburgh Seven. Leith Hospitals information here.

Some other women associated with this church

Mary of Guise (also called Mary of Lorraine), ruled Scotland as regent from 1554 until her death in 1560. A noblewoman from the Lotharingian House of Guise, which played a prominent role in 16th-century French politics, Mary became queen consort upon her marriage to King James V of Scotland in 1538. (Wikipedia). She worshipped at this church in 1559 and her coat of arms is displayed in the entrance today. Mary had fortified the town and she was in Leith being guarded by the thousands of French troops stationed there at the time.

Saint Barbara

There is also an altar dedicated to St Barbara who had a very sad and sorry life. Wanting to dedicate herself to Christ instead of marrying the man her father wanted her to (Dioscorus, 7th century), she was tortured and her father chopped her head off. He got his comeuppance, apparently, being struck by lightening and reduced to ashes. Perhaps this is why she is invoked in thunderstorms. She is also the patroness of miners, although I am not sure why. (From the Britannica and Archdiocese of St Andrews on facebook).

Saint Barbara, whose altar sits in South Leith Parish Church, Scotland

When excavating for the trams in 2019, mass graves were found. There were 50 per cent more bodies of women than men, and the bodies were smaller than the average woman today, showing signs of malnourishment compared to the national average even then. An exhibition and book were made and it was posited that they had something to do with the plague and/or that they were from the poorhouse. There is a banner in the entrance to The Museum of Edinburgh with some information about this and the book is sold in the shop there.

The graves of Jane Eliza Mackie and Jane Smart (left)

As a way of paying respect to the women whose names I discovered here, I made a list of them, together with their relationships, but omitted the names of their male relatives. This is to recognise how many women we know so little about, and the manner in which they were remembered. I will read out the list during the walk, in remembrance.

These have been women’s stories, of their families, interests, occupations and deaths. They are often seen through the eyes, or in the context of men, making it hard to celebrate them in their own right, but the search to find out more about them was well worth it and is by no means over.

Walking Artists Network and Women Who Walk

Tamsin Grainger is a member of Women Who Walk and the Walking Artists Network. The network is for those who use walking in their creative or academic practice. It includes artists, writers, field historians and archaeologists, psychogeographers, academics and more.

Sources

The Edinburgh Gazeteer

Christine Hoy https://www.amazon.co.uk/Beacon-Our-Town-Story-Hospital/dp/0951373900

Elizabeth Jane Timmins, 2019 and her blog for the information about Ida Bononomi and Queen Victoria.

‘The Jacobite Grenadier’ by Gavin Wood.

Elizafield Plantation, USA by Amy Hedrick http://www.glynngen.com/plantations/elizafield.htm and https://mesda.org/item/collections/dr-robert-grant/1194/

Blackwood’s Edinburgh Magazine which has delights in it if you care to look hard enough, such as ‘[he died] At Paris, of a fever, occasioned by bathing whilst in a state of perspiration, T Palmer”

Joyce Burnette (2008) This webpage has some fascinating pictures of women spinning at home and in the factory and statistics about self-employed wmen in the eighteenth century and much more (England)

The History Press

Other links

See also Edinburgh New College and Calton Hill – a tour of the centre of Edinburgh celebrating some of Edinburgh’s famous women – based on the Hidden Heroines Tour by Carla Nebulosa.

See also Where Are the Women? A Guide to An Imagined Scotland by Sara Sheridan

and the Meet the Author event with Sara Sheridan on 1 May 2021 at 10.30am

Saltire Society Outstanding Women of Scotland

The New Biographical Dictionary of Scottish Women

Quines by Gerda Stevenson celebrates women of Scotland in poetry. My review is here

There are other books about women that I have reviewed here