23rd February 2021

Today I walk an imaginary line around my house. My feet don’t leave indentations to show I have done it, not since the recent snow, and when that melted the trace was gone. Home and back, I pace and pound my boundary line, a pathway that returns to itself, reconnects, reattaches, and brings me back to the garden gate.

Snow prints. Photo by Sam MacLean

Terminalia is a one day festival of walking, space, place and psychogeography on 23rd Feburary. Terminalia is the festival of Terminus, Roman god of boundaries and landmarks so if there was ever a god and festival for psychogeography this would be it!

https://terminaliafestival.org/

They say that people walking somewhere can change a place, that the land alters because of us. Of course, it’s clear if we wear down the mountainside or trample wildflowers underfoot, or if we make a desire path, flattening the grass just enough that the next person who comes by can see it and tread the same way afterwards. But I’m talking about the idea that the nature of a place adjusts as many people cross it for a specific reason (such as pilgrimage, religious or secular), that an ordinary location becomes imbued with a special significance after it has been walked upon by people with a shared aim or sensibility. If that’s true, do my streets, the streets which bear my weight daily, still feel me when I’m gone? Do I rub off on them somehow? Can I say I belong there?

Or is it the air above a path that is disturbed by my body moving through it, affected by my presence, retaining a whiff of me? Then, what happens when the wind blows and displaces it – have I been whisked away, or am I still there? How exactly does it work, this treading of Terminus, deity of the marking of our territory?

The wind disturbs the top layer

A crow breaks the quiet with a piercing caw on the turret, the wind finds crevices in my clothing, the odour of fish and chips invades my sense of propriety. Someone has etched into the tree’s bark and graffitied the bridge’s stone. A trickle finds a way through, waves breach the breakwater and ride roughshod over rocks. We must leave a gap or the wind will blow a solid fence over, or a river bring down a protective wall. In so many ways, boundaries seem to be there to be broken – at least that’s when we notice them.

Arborglyphs
Arbor graffiti

A few of us meander along the ribboned edge of the bay, the constant interruption of land by sea. We talk to no-one, we stand and watch the water. I feel sad, and the waves sound melancholy too. Only the other day it was like satin, now the surface darkens and shifts as the wind messes it into mackerel patterns. Sand clouds rush past me in such a hurry, disintegrating as they haste towards Fife. Uncharacteristic ripples sweep out to Inchcolm island where the disappearing rainbow arcs overhead (between real and unreal). While I was there I had that golden luck and the rain never reached me, I who have hot sun on my calves. One by one, we stoop and pick what catches our eye. I chase dry seaweed as it billows across the beach.

Inchcolm Island

Psychogeography describes the effect of a geographical location on the emotions and behaviour of individuals

https://www.tate.org.uk/art/art-terms/p/psychogeography

I am concentrating on my own boundaries of time (too little for my own projects) – noticing how they get eroded, how I let them, allowing myself less. And on the amount of space I have (too much room in my house now that the children and lodgers have gone) – somehow ending up with more than I need. As I pace, the liminal wetness, what I might call the sea/m, I mourn the freedom I didn’t have (I was raised to think about others before myself and it has stayed with me) and the shells I am inadvertently crunching underfoot. The sea doesn’t stick to its limit. I see it constantly pushing them. I stand close by until it unexpectedly breaks the rule and surges at me. I have to stumble back out of the way or get wet.

There are fewer birds than usual on the strand, though later I see them swarming, their blanched bellies catching the sun as they swoop en masse. Over the blue they go, alighting on the pontoon quickly, one after the other, then taking off just as swiftly, an avian Mexican wave.

I muse on how everyday habits break down fear by reassuring us what will happen; then equally how they cause it, how we become nervous about being spontaneous and managing sudden change. I have been at home so long now, moving steadily around my immediate area – 5 miles in each direction – that I wonder how I’ll manage to go further afield. Will we all spread out across national borders again, back and forth over timelines and zones, or will we be more circumspect, stay closer to home, on our own territory? I have no plans.

Related blogs: Walking Between Worlds series

Terminalia – Festival of Psychogeography site

Incidentally, Terminalia is also a tree genus (upwards of 200 species) including the Terminalia catappa. Found in Madagascar, tropical and subtropical Asia and the Pacific (http://powo.science.kew.org/taxon/171034-1), the leaves are to be found at the very end – terminus – of the branches. Types of this tree (bark) are used in Ayurvedic medicine to treat heart conditions and diarrhoea.

Indian almond courtesy of https://www.britannica.com/plant/Terminalia-plant

3 thoughts on “Festival of Terminalia

  1. Hi there, thank you, praise coming from one who writes so beautifully! I have thought about this again, I know that circles are used in meditation so perhaps my walks are a form of meditation, it’s not something I have ever consciously practised, my mind is very flighty, so maybe this is my way, and of course we cannot escape the full circle aspect of the year we are living through. Almost equinox to equinox coincidentally.

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  2. Hi Tamsin. I really enjoyed reading this and will definitely keep to read again. I, like many others I suspect, have been doing a lot of thinking about walking, the lines I walk the repetition of a favourite walk and the minute changes to the landscape as the seasons come and go. Seems we’re also going full circle with the cycle of covid restrictions, so I’ve also been thinking of walks as circles. Beginning and ending at home. Presently doing some artwork about this which I hope to bind into an artist book soon.
    All good wishes. Liza

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